A collaborative approach based on existing barkcloth collections
Situating Pacific Barkcloth in Time and Place was a research project based at the University of Glasgow and funded by the Arts and Humanities Research Council (AHRC), which took place between 2016 and 2019. The project was a collaboration between three institutions: the University of Glasgow, represented by the Centre for Textile Conservation and Technical Art History and The Hunterian; Royal Botanic Gardens, Kew; and the National Museum of Natural History (NMNH), part of the Smithsonian Institution, Washington, DC, USA. The project was led by Prof. Frances Lennard of the University of Glasgow. Prof. Mark Nesbitt, Curator of the Economic Botany Collection at Kew, and Dr Adrienne Kaeppler, Curator of Oceanic Ethnology at NMNH were the project co-investigators.
The NMNH barkcloth collections provided valuable context for the less studied collections at The Hunterian and Kew’s Economic Botany Collection which formed the primary research focus. These two collections total around 150 objects, primarily from Polynesia, and dating from the 1760s, when the earliest Hunterian cloths were collected on the Cook Voyages, to the 1880s.
Combining art history, scientific analysis, and conservation in an interdisciplinary team
The interdisciplinary research team employed three research associates, a Pacific art historian, Dr Andy Mills, a materials scientist, Dr Margaret Smith, and Misa Tamura, the project’s research conservator. It aimed to carry out a detailed investigation of the materials and techniques of Pacific barkcloth making, whereas previous research had focused more on cultural and art historical perspectives, with the goal of finding out more about the way barkcloth was made and used in the Pacific. We were keen to inform, not just the interpretation of historic collections around the world, but the contemporary art of barkcloth making.
Promoting barkcloth to a range of audiences
The project was rooted in collaboration, not just with the partner institutions but with colleagues in the Pacific and around the world. Two project workshops were held in 2017 to engage with contemporary tapa makers, at the Auckland War Memorial Museum and at the Bishop Museum in Honolulu, and a range of events was held to disseminate research results including the Barkcloth: Revealing Pacific Craft exhibition at The Hunterian.
Expanding engagement with Pacific barkcloth
In 2020 we were awarded follow-on funding from AHRC for a new stage of work to develop the project’s impact and engagement: A Living Tradition: Expanding Engagement with Pacific Barkcloth. Dr Maria Economou of the University of Glasgow was the co-investigator for this part of the project, and Dr Katrina Igglesden was appointed as research associate to develop further outreach for the project and its results. We worked with a group of UK museums with significant collections of Pacific barkcloth, including Horniman Museum & Gardens (London), National Museum of Scotland (Edinburgh), Leicester Museum & Art Gallery, Royal Albert Memorial Museum (Exeter), and Royal Pavilion & Museums (Brighton), and organised a series of interactive online sessions called Barkcloth Basics: Interpreting and Understanding Pacific Barkcloth. These were co-facilitated by practitioners Reggie Meredith Fitiao and Su’a Tupuola Uilisone Fitiao.
A framework to share knowledge
This website contains detailed information about the objects in the Hunterian and Kew collections; considerable time was spent on researching the history of the Hunterian collection in particular, and both groups of objects are now much better understood in terms of their provenance, materials, techniques and cultural histories. It also contains links to other collections which the researchers drew upon and information about the collectors who brought them to the UK. You will also find information on the plants and other materials used to make barkcloth, the making processes and the Pacific islands where tapa was made.
The Hunterian and Kew collections are not evenly spread across Oceania – some regions, such as Hawai‘i and Tahiti are much better represented than others. However, the website has been constructed to create an overall framework and we hope it may be possible to add information on barkcloth collections in other museums and to create a more comprehensive picture. We include information on a range of cloth types found across Oceania but please note the list included here is not exhaustive, as it is based primarily on the cloth types represented in the two collections.
We are still in the process of constructing the website – information on aspects of making barkcloth and on the objects in the Hunterian and Kew collections will be added soon. We welcome all comments, both on the content and the way it is presented. The information on the objects and techniques of making barkcloth represents our research to date – if you can add further information, please let us know so that we can update the records. We’d also welcome feedback on the way the information is presented.